The small girl sat very still upon the ground, the scent of
jasmine and midnight stars perfuming the air. She especially loved the sweet yet
pungent aroma of midnight stars. They were nearly black on the outer edges of
their wide petals, becoming lighter shades of purple and violet closer to the
stamen, which was a deep rose-pink. Lhasa gently fingered the waxen petal of one
flower, still moist with the dew of the morning. While she wove her heart into
the center of the exotic blossom, her mind was tranced with the steady,
melodious voice of her brother, as
Tiirna
(the youth who was to become "the Thoth") told her favorite story of how he had
been suckled at birth by the white tigress. Tiirna sat on his haunches, almost
cat-like himself. His dark blue eyes burned golden as he described the event. In
the shadows of the garden, his black with burnished highlights, reminding Lhasa
of a midnight star. His lips were full and sensitive, teeth flashing white
whenever he chose to punctate his commentary with a luminous smile. While youth
walked by his side, it lay as a caressing hand upon the deep and smoldering
fires within him. Tiirna's child-like purity of spirit did not subdue his
elegant manner, as casual as the graceful display of a butterfly's wing. Even at
her tender age, Lhasa never failed to be moved by the experience of her
brother's thoughtful attention upon her. Soon, she knew, he would enter his
final initiations in the Cave of Winds (Mythara) and then he would leave the
sacred mountain of his birth and go out into the world as a master teacher.
While the glamour of such a thought excited her, she felt sadness that he should
depart from her. Once, when she had spoken of this sorrow to Tiirna, he had
promised that they would not be parted for long. "You are a Sea Priestess, my
little pearl, and I am the path from the mountains to the sea." While the child
did not truly understand his words, they seemed to nonetheless bring her
comfort.
Later that day, Lhasa watched intently as Tiirna prepared his sacred
weejaka, a collection of herbs, talismans and written symbols wrapped in a
precise ceremonial way. The weejaka was a power object that young spiritual
warriors took with them on their questing Yet few youths would ever enter the
initiations of Mythara and confront the Dweller on the Threshold in the interior
of its cavernous depths. It had been known since before Tiirna's birth that he
would ‘take up the serpent' in initiation within the Cavern of the Winds and
become one of the few Masters of Serpent Power in the world. The night before,
Lhasa had experienced a dream-vision in which her brother had turned into a
large golden cobra with black and violet markings inside its hood. At first she
had been frightened, but as the magnificent serpent undulated toward her, she
heard Tiirna's voice call her ‘Shesheta', and as he did, she became a white
cobra as large as he, and they danced together, their crowned heads moving in
mesmeric motion beneath the moonlight of Adujahra.
His magical bundle completed, Tiirna bid goodbye to his devoted little sister
and went to the ‘tower room' of Icara where the Flame of Orion endlessly
streamed in silence. As Tiirna stood before the Flame, he saw a lance of emerald
fire rise up from the eternal blaze and pierce his heart three times. From the
first wound, there poured out water, from the second, blood. From the third
wound gold issued forth. Out of the gold liquid pool arose a golden serpent, and
a voice came forth from the creature saying, "I am victory, so you shall be
victory." Tiirna understood this vision to impart that although he would serve
the world, he would not bind himself to it. This was as it had been written in
the prophecy of old: one shall come, born of the golden serpent and suckled by
Sothis. This one shall be "He who wears the Three Crowns," each representing an
aspect of the trinity of Love, Wisdom and Knowledge. "He who is born of the
golden serpent shall not know the sting of the forked way," so said the ancient
scriptures. This meaning that the soul embodied as the wearer of the Three
Crowns would not enter the karma of the world, but "keep of himself as rarified
gold, purer than the ore of the Earth, given weight only through the power of
divine authority." Tiirna had received the sign he sought. Without this
affirmation, he would not have proceeded to the next level in his initiation. He
now took from his pearl-grey robe the weejaka, placing it before the Flame as he
lifted his fine voice in a chant of benediction: "Kohmeha, kohmeha, tantre
tasek mai noe le shantu. Amaneek, hynatsekmu tansetet machai chiapha remu.
Mu-rey tanset mukep hapa roya nus I-hem. I am he who is crowned with the
three stars of the sacred girdle (belt or Orion). All that has come before me is
now within me. All that shall come after my passing is encompassed by me. I open
the scroll to inscribe my name therein. I will mount unto the stars upon a
chariot of fire. He who advances after me, so shall I rejoice in His name, for
He is the Lamb upon the altar of the Risen One and I am he who lifts His crown
above him." As his chant subsided, Tiirna went to a small chest which, other
than the Flame pedestal, was one of the few objects in the room. Opening the
carved wooden box, he carefully lifted something wrapped in a purple velvet
cloth from the contents inside. Unfolding the cloth, a stack of card-shaped thin
gold sheets was revealed, each engraved with images and symbols. Tiirna was
gazing upon the sacred Tak-Arot, which would surface in remanent, eons
later within the tarot. The Tak-Arot had been developed by Toth-Mus-Zurud from
knowledge contained within the Enochian Table which he brought from Orion. This
was the first time Tiirna has seen these ‘cards,' and yet they were intimately
familiar to him, for as Toth-Mus-Zurud, he had created and engraved the gold
sheets with his own hands. He passed different hands over them now, seeking the
union of energy through space and time which would align him with but seven
sheets of gold in the collection of 87. The Tak-Arot was divided thusly: the 58
lesser, the 22 greater and the ‘sacred nine' or ennead. In our current period,
the ‘lesser' is known as the minor arcana and the ‘greater' as the major arcana.
The ‘ennead' did not survive the ages to become a part of the modern tarot.
Tiirna drew seven sheets from the total, and placed them before him in a
specific pattern about his weejaka. While he took in the meaning of all the
sheets in relationship to one another and to their positions in the pattern, it
was the central image that drew his most undivided attention. The engraving was
of a woman heavily veiled, whose left arm was held aloft, carrying a winged wand
upon which was wound two serpents. In her right hand at the level of her navel,
she held a diamond-shaped crystal. Above her head were three spheres forming a
triangle. She stood upon a sphere containing within it a cube, the angelic
fire-letter ukabar ablaze at its center. Ukabar is the seventh vowel of
creation, and as such, denotes the infusion of Light into the membrane of
cohesion at the center of the atom. The sphere is the world and the cube is
matter, which with the ‘Divine Language' at its center, is transmuted into
‘Prima Matra' or the first pure form of inviolate Matter-Light. The veiled lady
is the solvent with the power to unleash pure, unbridled transmission of Light
into every particle of the universe. Yet this ‘solvent' will not be revealed
until the Day of Reckoning is at hand, when the Universe begins its cycle back
toward the Throne of Metatron. The serpent-wand she held in her left hand
represents the mastery of duality with the DNA, giving flight or liberation to
the pure gem body of man. The diamond-shaped crystal in her right hand is that
pure gem as it becomes cognate in the mind. Before it can manifest in matter, so
the ‘gem consciousness' must enter the mind and transform it into Higher Mind.
The three spheres above her head represent the three Sephira of the Holy Tree
beyond the gate of Metatron. In the tarot of the distant future, this image
would become known as ‘The World / Universe.' Tiirna knew this Tak-Arot
archetypal presentation represented his mission in life; to open passageways
through the vaults of universal memory for the transmission of Light Redemption.
Tiirna left the Flame of Orion and went to his chambers, where he bathed,
anointed himself with holy oils and dressed in a white robe of taspar, a fine
silk, from which only garments for sacred ceremonies and rituals were woven. He
loosened his braid of hair so that it flowed liquid, in fiery embers of light
upon his shoulders. He was otherwise unadorned and prepared to enter the Cave of
Mythara.
Tiirna made the trek to the Holy Cavern without difficulty, and entered its
mouth into darkness. He brought no torch or other source of light with him,
having only his inner sight to guide him in his perilous journey. Yet his way
was surely illuminated through the channels of his mind and heart which were
receptive to the subtle-body stimuli of etheric current around him. As he
progressed in his passage, he knew his course to take him ever deeper within the
Earth. Time became a line in sand, easily erased by the breath of the caverns.
Tiirna found level ground once again, and the passageway he was upon widened
into a large cavernous area, displaying sparkling shapes of limestone visible in
an eery silvery green light. Tiirna knew this light to be created by the
chemical break-down of an algae growing on the walls and floor of the cathedral
chamber. There in the midst of this simulated twilight splendor, was a crystal
pool, so still it appeared to be of glass. The waters also reflected the
silver-green glow, with deeper hues of turquoise beneath the surface glint. As
he gazed upon the pool, Tiirna suddenly felt a need to sleep. He found a smooth
stone near the waters just large enough to accommodate his supine form, and
there he closed his eyes amid the sensation of floating weightlessness. His
astral body arose from the tomb of the matter-self and looked to the far side of
the crystal pool. There he saw an emerald door, shining as if polished by the
wings of angels. Above this door was the sign of the Trident with the three
spheres above the prongs. It seemed to be cut in the limestone, burning as if
set aflame. In his astral form, Tiirna moved toward the emerald door. He felt a
tingling heat resonating in his being as he passed through the transparent gem
stone. After such great light, the contrast of total darkness startled him for a
moment, but then his mind relaxed and he saw that he was not alone. In the black
nothingness came a small sphere of red and gold, which grew and grew until it
was the size and shape of a human figure. The being revealed to Tiirna was
unlike anything he had ever seen, even in his most vivid dream-vision
experiences. While the body appeared as a man's, devoid of any garment, the head
and face was that of a creature unknown to him. The shape of the head was
somewhat like that of a goat, with large, curling horns extending from the sides
of the forehead. The nose was snoutish, resembling a bore, and there was facial
hair of white upon the chin. But it was to the eyes that Tiirna's mind gave its
full attention. They were large and oval, a yellow-gold, with pupils of ruby
light, fearsome in appearance; yet beneath the trappings of horrific display
there was a presence of divine grandeur. The creature opened its mouth, forming
a circle with its narrow lips and a sounding issued forth that was liken unto a
scream of agony. Tiirna felt pain throughout his astral body, and as he
succumbed to this sensation, so he moved into it, becoming one with the soul of
the beast. He had no fear of the presentation of evil or suffering. He knew only
the sublime reality of Spirit that inhabited all being. As he merged with the
beast, so he embraced the wound in its heart, and there came forth a streaming
of blood, vile in smell from within. Tiirna moved even nearer the wounded heart,
embracing only the glory of its existence. As he so consumed with love this
aperture of decay and sorrow, the blood began to froth about him and the scent
changed to the fragrance of the midnight star flower, its coloration swirling
into the spectrum of dark violet and then sapphire. The stirring of the vapors
ceased, and the liquid was on fire with a beauteous violet-blue light. The
figure in the midst of the pool of cleansed and rarified blood was now comely to
behold. His skin was of golden flesh, his face fair, eyes of gold-blue. His hair
was long, unto the waist in a cloud of golden light. Tiirna knew that he looked
upon himself in his metamorphosed body. Instantly in his matter-self, he opened
his eyes. He lay still on the smooth stone near the pool. His body felt stiff
and not his own. Slowly he moved his limbs, and then with graduation, raised
himself and stood. Approaching the glass surface of the cavern pool, he bent
forward and peered within it. There he saw a man in his early years. While he
resembled Tiirna in subtle ways, there were major differences. This being's body
was more muscular, taller by two inches, and the skin tone was of bronze-gold,
while Tiirna's had been pale as a silvered moon. His face was more angular than
the pear-shaped features of the younger man, and his eyes harbored greater gold
amid the blue. Tiirna's midnight hair was now a golden dawn. The mouth remained
much the same as Tiirna's had been, sensitive and full, possessing a gentle
strength, yet the set of it was more pronounced with a poise less vulnerable.
The one who had been Tiirna looked to the far side of the pool. Nothing but
natural limestone met his eyes where the emerald door had blazed but a timeless
moment before. Suddenly he felt a presence behind him. He turned to see a
hologram of two geometric cubes on end, rotating within one another. One cube
was of blue and the other red. As these cubes continued to spin, he recognized
the formation of a high-state merkabah. (Thoth's definition of a merkabah is a
vehicle or spirit-generated field of Light transport for sentient forms and
consciousness through space and time.) He then felt a command for him to step
into the generated Light field. As he did so, his whole being ignited with a
rushing power of Spirit beyond the capacity of matter to contain, and yet within
the merkabah, his cellular tolerance for Light infusion was raised and he was
therefor able to receive the consciousness which poured into him. He then knew
the red cube to be composed of a substance which stimulated the biochemical
components in his body to vibrate at a rate equal to the speed of light, while
the blue cube radiated pure unbounded energy, which the ancients called kylestra, the invisible matter. Thus, from the perspective of physics, the
red cube is what we could call a facilitator of ‘quantized' matter, while the
blue cube is composed of the true ‘anti-matter' of the universe. In proper
‘spin' synchronization, these two matrices generated a Light field merkabah
capable of transporting energy at the atomic level through the barrier of
light-speed into the realm of ‘Attasic' Universal At-Oneness with all Light
Spheres and Matter Worlds. In this process, the initiate that had been Tiirna
was brought through the portal of molecular transmutation, so that he not only
‘appeared' to have been changed (within the outer-shell of his subtle-body,
which he viewed in the cavern pool), but he became transformed atomically,
within the sub-anatomy of his matter vehicle.
As the merkabah ceased to spin, the initiate found himself standing
face-to-face with a Hierophant dressed in Egyptian robes, displaying a large
golden ankh about his neck containing an emerald in the center of the loop. The
Hierophant carried a staff which was fashioned at the top as a shepherd's crook.
He touched the initiate upon the left shoulder, saying, "Thou art the One who
wears the Three Crowns of Heaven, and bears the Mouth of the Sun to the Altar
Place." And he who was now Raismes saw himself as a white falcon carrying in his
beak the golden orb of the sun, as he alighted upon the great stone altar of his
birth atop the Mountain of the Moon. As this vision was upon him, the Hierophant
placed around Raismes' shoulders a cape designed with the image of a white
falcon, its wings outstretched, embracing the One who wears the Three Crowns.
With this act, the initiate was once again the falcon upon the stone. A small
gazelle leapt up from the rocks below as the great white tigress, his Numoje,
covered the small creature with her body and cut the neck through with her
massive teeth. It's blood poured forth upon the altar place, and sacrifice of
the fallen world had been made. The falcon dipped it's beak in the scarlet about
the gazelle's head, and as he drank from the liquid life, so the cycle was
complete. Raismes was now one with the life stream of the Earth. ‘And I
saw what seemed to be a glassy sea mingled with fire, and those who come off
victorious from the wild beast...' (Revelations, chapter 15, verses 2
and 3)
Estara Maia stood before her son in the garden of Icara, at the very place
where the infant Tiirna had been suckled by Numoje. An early morning breeze
delicately ruffled her rose-colored jateh, or cloth covering the head. At
her tiny golden-sandaled feet lay a rolled fur bundle. Raismes' mother knelt to
unbind the fur piece, revealing within the sacred relics of Toth-Mus-Zurud. She
did not have to tell Thoth Raismes what he beheld, for these were objects as
familiar to him as the beating of his own heart.
There was a sphere of crystal aspar, a gem stone mined only in the
central region of Atlantis. It was a amber color with flecks of gold pyrite in
it.
Another object was a small pyramid made of transmuted gold-glass, containing
within it a sphere composed of meteorite. A thin wire of copper and zinc ran
through the sphere and attached to inside the pyramid. This was a radionics
devise which Toth-Mus-Zurud had employed in his healing work.
Among the ancient pieces was a magnificent girdle made of silver and gold. It
was set with sapphires, aspar, lapis and emerald gem stones. In the center of
the girdle was formed in gold, the head of a lion. The eyes blazed with the two
largest emeralds. Encircling the waist upon the girdle, were two exquisitely
fashioned serpents with scales of silver and gold and their eyes ruby-bright.
While the belt was a beautiful craftsmanship, it was so finely composed with the
stones very small and delicately faceted, that the whole of it did not speak
loudly of its perfected beauty. This belt Toth-Mus-Zurud had been given by the
Craft of the Brazen Serpent in Atlantis. This craft was an Order
of Alchemists, extending to other connective dimensions within the holo-field of
this planetary node in the heavens. The girdle had ‘magical' properties,
enabling the wearer for whom it was made, to ‘super-charge' his own powers of
solar energy through the solar plexus of the body. Since Thoth Raismes was
Toth-Mus-Zurud, only he could now wear and empower the Girdle of Thoth.
Also among the relics were the golden sheets of the Tak-Arot, which Tiirna
had used to divine his initiatory path in becoming Raismes.
Lastly, was the Staff of Pythius, which would also be known as the ‘Staff of
Thoth.' The staff was carved from beekea wood, with two serpents wrapping
in a caduceus spiral up the rod. Two gilded wings perched atop the staff, just
above the serpent's heads. The serpents were brightly colored with lapis and
malachite tile inlays, the eyes once again ruby points. There were ancient
symbols of the Mazur upon the Pythius, representing the original Tribes
of Man. The Mazur were an ancient people who contained the genetic and para-genetic
seeds for the entire 30 Spirit Races of mankind, which are those races intended
to conjoin to form the perfected Adam Kadmon. While the Mazur's dominant strain
was Hyperborean, and thus Sirian-Earth mixture, they also contained Lemurian,
Atlantean, Noechian, Hokamai and Katoomi genetic links. In the ‘Keys of Enoch'
they are also defined as: Enochian (Lemurian), Sethian (Atlantean), Noachian (Noechian)
and Davidic (Hokamai). Tehuti adds ‘Cainiac' for Katoomi. These five ‘families'
together create the ‘seed bank' for the 30 Spirit Races of Earth. Adam Kadmon
is defined by Thoth as the supernal body archetype of the perfected human. It is
endowed with the Knowledge and Wisdom of the Divine Light Worlds which created
this planetary sphere and the body-forms inhabiting it. This staff had been
created by Toth-Mus-Zurud himself, as was imbued with great Power and Light.
Raismes was aware that one item was missing. It was a golden ring engraved
with the constellation of Orion, set in white and blue diamonds. This ring had
been among the treasures which Isthica, Raismes' father, had been entrusted to
guardian by Toth-Mus-Zurud. However, Isthica had been wearing the ring on the
day of his death, and it had consequently been stolen by his assassins. Isthica
had displayed the ring on his right hand for the last year of his life, as he
had been so guided through a vision appearance of Toth-Mus-Zurud. But now the
unique ring was in the hands of the ‘Black Magicians.' It had been crafted by
Philia, a female shaman of Orocoria (on the continent of Africa). She made it
especially for Toth-Mus-Zurud as an offering of love and dedication. If it could
be said that this Ultra-Being has a ‘personal' loving for one individual, it
would have been for the beautiful Philia. Now, as Thoth Raismes, he remembered
her essence as it poured like a golden wine into his mind and heart. In that
moment, Raismes had an inner knowing that somehow Philia would orchestrate it's
returned to him.
There were other relics of Toth-Mus-Zurud that would come to Thoth Raismes
through the years, but those within the fur-bundle, were the most prized among
them.
Thoth Raismes of Aphra took the Staff of Pythius in his hand and raised it
above his 6' 7" frame to the sun.
From the unfinished manuscript, "JOURNEY OF
THE BELOVED," on the life of Thoth, Raismes of Aphra
more pages of Thoth's story
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